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Where Schwartz poses questions and then retreats, Odell makes a sweeping, convincing case that the problem of attention is related to other ills: the decline of organized labor, the ravage of the Earth and the scourge of gentrification.
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On a sentence level, Schwartz is brilliant, funny and clear, but she lacks the larger thematic clarity of, for instance, Jenny Odell's recent book, How to Do Nothing: Resisting the Attention Economy. I couldn't help but feel that what fails Schwartz is, in fact, her sustained attention. So the late, lamented nuance is not found here, either. That might be true, but since he signed a nondisclosure agreement in a settlement with the station, we are never told what, precisely, he did. In this account, Schwartz implies that her father was a victim of Twitter-addled attention spans, which determine guilt in online lightning trials and then move on. Several chapters have the feel of half-finished thoughts, two in particular: a cautious, even prim, section on mind-altering drugs and a chapter on Schwartz's father, the longtime broadcaster Jonathan Schwartz, who was fired by NPR member station WNYC in due to allegations of inappropriate behavior. After Adderall, Schwartz turns to Silicon Valley's cynical battle for our attention. Here, Schwartz writes confidingly, precisely, of how it made her "the steely, undistractible person whom I vastly preferred to the lazier, glitchier person I secretly knew my actual self to be. The sections on Adderall are undeniably the best. It is an often lucid, sometimes hazy memoir-cum-meditation on the idea of attention. Attention: A Love Story is Schwartz's quest for the point. Real attention - expansive, fluid, generous - was located somewhere else. But over the decade that she relies on Adderall - a combination of amphetamine and dextroamphetamine usually prescribed for attention deficit hyperactivity disorder - she comes to realize that this was ersatz attention. Adderall was "attention weaponized, slashing through procrastination and self-doubt, returning me to a place that felt almost like childhood, with its unclouded pleasures of rapt hours, lost in books and imagination.Ĭhildhood, but with a jittery amphetamine edge. Here already are the seeds of what is coming: It is not "Adderall" but "the Adderall," not the serviceable "take" or "grab" but the sacramental "receive. InSchwartz was in college, struggling to write an essay, when a friend offered her a pill "the deep bright blue of a cartoon sky" and her hand "shot out to receive it. Your purchase helps support NPR programming.